Wednesday, March 21, 2012

Dual Narration in Persepolis (question 1)

In certain instances where older Marji narrates events that are occurring in the story, her own view of the situation is different from that of her view at the time it is taking place. One example is in the chapter "The Cigarette" (111-117). The older Marji talks about how kids continued to try to look cool despite the rules, and later about serious issues, such as how the war had caused so many unnecessary deaths. The younger Marji, on the other hand, is one of the kids trying to be cool, and at the end of the chapter she smokes a cigarette as an act of rebellion and a statement that she no longer considers herself a child. The two narrators, young Marji and older Marji, seem to contradict, but are actually saying the same things--they merely have different points of view. Older Marji can look in retrospect at the situation, hence why she talks about how teenagers were risking arrest, and how the war caused so many unnecessary deaths. Younger Marji, on the other hand, is still experiencing the events and does not fully understand yet all of what the war will cause. She breaks the rules because other people do it and because she's avoided getting punished in any extreme way so far, and she wants to be an adult like many twelve year olds do. However, both perspectives, while conflicting in interests, still give the reader an insight into the situation caused by the social changes and by the war.

2 comments:

  1. I think this is a great example of dual narration. It is one that stood out to me the most. It especially stood out to me because I believe that we still experience some situations like this one today.

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  2. I also agree with this, In the "Cigarette" Marjane actually creates a paradox within her own character because at times she tries to be mature by rebelling against her mother and being able to understand the gravity of the war-like situation they are all experiencing in Iran and at other times she acts like an infant. It's almost as if she is still searching for who she really is and therefore creates a dual narration. The reader starts out the chapter by noticing immaturity when Marjane says "I wasn't chicken so I followed them" (pg 111) and then illustrating that she was "too young to interest them" (pg 112) but then on page 117 there is an evident change in narration where Marjane states that "with this first cigarette i kissed childhood goodbye" "now i was a grown up" (pg 117). Therefore I believe you picked an excellent chapter to depict the dual narration depicted in Persepolis.

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